Lady of quality whose tail is carried by a young black boy. She is coiffed with a type of pouf decorated with plumes and flowers, with a ribbon interlaced among them; the hair is girded with a barrière of pearls with a tassel. Her gown is of plain pink taffeta, trimmed with gathered bands of … Continue reading Galerie des Modes, 19e Cahier, 1ere Figure
Category: 18th century
Galerie des Modes, 18e Cahier, 6e Figure
Stukeley costume in the play Beverley, created by P. N. Sarrazin in 1777 for the theater in Nantes. (1779) Frock coat with fixed bavaroises, trimmed with zig-zag buttonholes, bordered with a cordon of fur or of braid. Saxon collar, sleeves with a large parement of a color that contrasts with the Frock coat; the middle … Continue reading Galerie des Modes, 18e Cahier, 6e Figure
Galerie des Modes, 18e Cahier, 5e Figure
Costume adopted for the Court balls and the parties given by Their Royal Highnesses the Princes, the Brothers of the King, for the Archduke of Austria. This suit is in imitation of those from the time of Henri IV. The slashed doublet is trimmed with réseaux around the slashes. Pantaloons knotted under the knee with … Continue reading Galerie des Modes, 18e Cahier, 5e Figure
Galerie des Modes, 18e Cahier, 4e Figure
Costume of Count Almaviva, in the 5th act of the Barber of Seville. (1779) Ball and Theatrical dress, imitating the Spanish costume. Three-quarter circle cape, furred with ermine, the inner border and parement of plain gold tissue, embroidered in a mosaic of silver sequins; in the center of each lozenge, gems or groups of spangles … Continue reading Galerie des Modes, 18e Cahier, 4e Figure
Galerie des Modes, 18e Cahier, 3e Figure
Ball Dress with sleeves à la Gabriele and a petticoat pulled up in basques; second petticoat with a trimmed volant placed en guirlande, of a different color than the first petticoat and matching the inside of the sleeves and the ribbons. (1779) Ball Dress, destined to make the pendant* of the preceding print. The bodice … Continue reading Galerie des Modes, 18e Cahier, 3e Figure