Marie Antoinette à la Rose (HSM #2)

I haven't done a portrait costume analysis in a long time, but it seemed like the most appropriate way to deal with the second Historical Sew Monthly challenge: Blue. Marie-Antoinette dit « à la Rose », Marie Louise Élisabeth Vigée-Lebrun, 1783; Versailles MV 3893 This portrait of the twenty-eight-year-old Marie Antoinette was painted in the same year as the … Continue reading Marie Antoinette à la Rose (HSM #2)

Painting Costume Analysis: Pamela Series, Part Twelve

XII: Pamela Tells A Nursery Tale, Joseph Highmore, 1743-4; Fitzwilliam Museum M.Add.9 The whole story ends, of course, with Pamela a loving mother. Her views on child-raising are fairly sensible and modern: she insists on nursing her infants herself, she is against swaddling, and she believes that girls should be educated. This specific scene is … Continue reading Painting Costume Analysis: Pamela Series, Part Twelve

Painting Costume Analysis: Pamela Series, Part Eleven

XI: Pamela Asks Sir Jacob Swinford's Blessing, Joseph Highmore, 1743-4; Tate Collection N03576 Eventually, after recounting the events of the last painting in great detail to Mr. B, the two go home and fail to confront Lady Davers due to Pamela's avoidant behavior. But they do finally converse, and Mr. B makes it clear that … Continue reading Painting Costume Analysis: Pamela Series, Part Eleven

Painting Costume Analysis: Pamela Series, Part Ten

X: Pamela and Lady Davers, Joseph Highmore, 1743-4; National Gallery of Victoria 1117-3 One would think that Pamela's troubles would be over after her marriage: after all, most of her problems stemmed from her "courtship". However, Mr. B's family is still a hurdle to get over. His sister, Lady Davers, does not approve of Pamela's … Continue reading Painting Costume Analysis: Pamela Series, Part Ten