Robe à la Turque or type of Circassienne, but different than the others; it has a collar like a Lévite, and a very large white scarf knotted at the waist: the petticoat is coupé: no trimming. This gown, which we will show in profile and from the back, attracted all the eyes of the Public, … Continue reading Galerie des Modes, 27e Cahier, 3e Figure
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Galerie des Modes, 27e Cahier, 2e Figure
Changeable taffeta gown, trimmed with white taffeta with a chiné print in diverse colors, and decorated with blonde lace on the edges of the trimming; the hat is belted with a roulé ribbon. (1779) Robe with chiné trimming. This Gown in a Polonaise, leaving the throat uncovered. It fastens in front, over a compere forming … Continue reading Galerie des Modes, 27e Cahier, 2e Figure
Painting Costume Analysis: Pamela Series, Part Six
VI: Pamela Shows Mr. Williams A Hiding Place For Their Letters, Joseph Highmore, 1743-4; Fitzwilliam Museum M.Add.8 When Pamela got into Mr. B's carriage, she thought she would be taken to her parents' house, but in fact she was driven to Mr. B's other estate in Lincolnshire. Before she was under the chaperonage of Mrs. … Continue reading Painting Costume Analysis: Pamela Series, Part Six
Galerie des Modes, 27e Cahier, 1ere Figure
Young Lady questing: she is dressed in a Court gown of Pekin, trimmed with gauze interlaced with ribbon and garlands of flowers. The man who escorts her is dressed in a suit of Gros de Naples, embroidered around the edges with sequins in all colors. (1779) Robe de Cour, in "Monsieur's plum" color. It is … Continue reading Galerie des Modes, 27e Cahier, 1ere Figure
Mimic of Modes 