The Myth of Chanel and the 1920s: VI – Femininity and Androgyny

Vionnet cleverly amalgamated a still lingering desire for femininity with the wish to dress without the restricting comfort of corsetry. ... But it was the androgyny promoted by Chanel that dominated women's fashion in Europe in 1919. The idea that Chanel suddenly brought out a less curvaceous figure in 1919 has already been dealt with, … Continue reading The Myth of Chanel and the 1920s: VI – Femininity and Androgyny

Galerie des Modes, 48e Cahier, 2e Figure

The young Sophie showing to her favorite the rendez-vous of the pleasures at the Théâtre des Variétés amusants: to enjoy this brilliant Spectacle: she is dressed in a juste à la Suzanne from Figaro, striped petticoat, muslin apron and coiffed with a hat à la Defrozier. (1785) The Théâtre des Variétés amusants was founded by … Continue reading Galerie des Modes, 48e Cahier, 2e Figure