The amiable Céphise in a solitary place plunged in a crowd of reflections caused by the absence of that which her heart loved: she is dressed in a light morning gown and coiffed with a large cap called à la Charlotte.* (1785) Shoes. - "The woman wears on her feet shoes with flat heels, of … Continue reading Galerie des Modes, 45e Cahier, 6e Figure
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Galerie des Modes, 45e Cahier, 5e Figure
The proud Aglaé outraged to the bottom of her soul at the apparent infidelity of her lover, indicating it to him by overwhelming him with reproaches, the time and the place of a mysterious rendez-vous: she is dressed in a chemise à la Jesus, having an elegant hat à la Française, and plumes above it … Continue reading Galerie des Modes, 45e Cahier, 5e Figure
Galerie des Modes, 45e Cahier, 4e Figure
As brilliant as Venus, the beautiful Dorine busies herself with what she read in a letter dictated by the keenest love; her gown is à la Marlborough, and her hat is à la Charlotte. (1785) Accessories made by Mme Bertin for Mme Duchatelet. - "1785, 15 June: A hat topped with violet gauze, edged with … Continue reading Galerie des Modes, 45e Cahier, 4e Figure
Galerie des Modes, 45e Cahier, 3e Figure
The young and elegant Suzanne sending the response which she just made in a letter to keep her dear Figaro:* she is dressed in a caraco trimmed with muslin, the petticoat of the same with three rows of ruffles, and a Globe cap. (1785) "The women who are coiffed en hérisson with little curls wear … Continue reading Galerie des Modes, 45e Cahier, 3e Figure
The Myth of Chanel and the 1920s: II – Standing Out from the Crowd
In November 1919 pictures of Gabrielle Chanel's chemise [evening] dress had filled the pages of Vogue ... Unfortunately, unless I travel to the library at the Fashion Institute of Technology, there doesn't seem to be any way for me to examine the actual November 1919 issue of Vogue - only its cover is available online. … Continue reading The Myth of Chanel and the 1920s: II – Standing Out from the Crowd
Mimic of Modes 