Journal des Dames et des Modes, 1813 ... The fashion is for coiffures à la chinoise so high that, even with the longest hair, it is difficult to create them. M. Palette has created false coques* of hair; and, with this accessory, or a part of it, for the coques come apart, one can create the highest … Continue reading On Ball Dress …
Tag: 19th century
Jennie Goodman's Wedding Dress (1878)
I've been sitting on this pattern for a while because this is, frankly, one of my favorites of the dresses I put online at the Chapman. CHM 1971.38.1 (pattern available at link) Now, the photo is not great. It's a decent view of the bodice, but you don't get a good sense of the elaborate … Continue reading Jennie Goodman's Wedding Dress (1878)
On Mourning
(I decided to write this post because I'm planning to branch out into historical social topics more frequently - but it lines up very well with an event this week! I will be attending Death Becomes You at the Metropolitan Museum of Art on Halloween, in a post-Edwardian black wool dress with white collar and cuffs. Hope … Continue reading On Mourning
Georges Doeuillet (1865-1930?)
Georges Doeuillet may be the least-known couturier I've written about so far - or perhaps second, after Jenny, since his real name is generally available. The only time his name comes up is in conjunction with Doucet, when the two houses merged at the end of the 1920s. But in fact (let this not be … Continue reading Georges Doeuillet (1865-1930?)
The House of Doucet (1816-1928)
Just as John Redfern began as a mercer, the Doucet family's business began in fabric and lace. In 1841, La Mode described the Doucets (then at 17 rue de la Paix) has having a "numerous and noble clientele", highly stylish in late spring for "trousseaus and corbeilles" - the corbeille being the gift of material wealth given to … Continue reading The House of Doucet (1816-1928)
Mimic of Modes 